Showing Records: 1 - 20 of 1427
13 1/2” x 19 1/2” framed poster from the Brazilian production of Fool for Love, Louco de Amor,in Portuguese (black and white photo of woman holding man’s leg)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
20 1/2” x 28” framed poster for the Turkish production of True West, Vahsi Bati (white background with brown hat and red tie)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
24 1/2” x 34” framed poster for True West, L’ouest, Le vraipresented by Theatre National, in French (black background with white, red and blue lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
28” x 39” framed poster for True Westproduction presented by the Nouvelle Compagnie Theatrale, in French (black background with white lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
A Lie of the Mind (1985)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
A Rage of Unknown Origin, undated
About Shrake from Linda Vance, circa 1983-1988
Advance uncorrected reader’s proof, 1995
Advance uncorrected reader’s proof
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The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Advertisement in Variety magazine, undated
Advertisements, undated
Advertising sample (5.5 x 8.5 color card)
Air Travel, circa 1980-1999
Alphabetical, 1954-2009, undated
American Place Theater annotated re-write, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater annotated re-write, February 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write, heavily annotated cover page, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write with music percussion notes, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Ammons Memorial Clinic members, 1964-1966, undated
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